| Content and Ideas | Exceptionally original or interesting ideas are thoroughly developed in a way that has a lasting impact. | Original ideas and plot points are present and are clearly developed. Character arcs are satisfying. | Clear ideas and plot are present, but they are under developed or entirely unoriginal. | Clear ideas and plot are present, but are severely underdeveloped. Major characters and arcs are introduced with out purpose or payoff. | The story is unfocused and/or rambling. | 
            
                | Pacing/Structure | Set-ups and payoffs are executed with precision. The story is told or framed in a way that maximizes the delivery. | Pacing and organization are satisfying. Nothing feels rushed or drawn out. | Pacing and organizational structure are effective, but there is room for improvement. It may have been too fast, too slow, or unintentionally confusing. | The pacing is much too fast, much too slow, and/or difficult to parse. | Information is presented in a way that completely fails to engage the reader. It is either incomprehensible or so poorly paced that th ereader loses interest. | 
            
                | Characters | Characters feel like they could be real people. The reader finds it easy to relate to them and empathize with them as they navigate the plot. | Distinct and interesting characters are established and developed. The irinteractions drive the story and create interesting drama and/or comedy. | Distinct characters are established and behave in away that is consistent with their established motivations. They may be flat or uninteresting. | Most or all characters are underdeveloped. Characters often behave in ways that go against their in-story motivations and established backgrounds. | Most or all characters lack distinct personalities. Most or all character actions feel forced and illogical from that character's perspective. | 
            
                | Romance | The romantic relationships are the stuff of legends, poems, and songs. The author was able to make the reader feel all of the tension, joy, and/or pain of the characters. | The romantic relationships are memorable and satisfying. The reader is emotionally invested in the partners' coming together. | The romantic relationships work, but fail to fully engage the reader. Reasons for this may include: an over-reliance on tropes and cliches, a rushed relationship, a needlessly drawn-out courtship, or under developed characters. | The romantic relationships are presented in a way that feels stilted or forced. It is difficult for the reader to empathize with or even understand the characters' feelings for one another. | The romance does not work on any level. The writer demonstrates a poor understanding of their own characters or the circumstances that bring them together. The romance either falls totally flat or crosses the line into the offensive. | 
            
                | Art Competency | The artist displays such skilla nd talent that it is worth reading the comic for the art alone. | The art elevates the story. The artist displays a mastery of their craft. | The art is competent. It neither detracts from nor enhances the story being told. | The art lacks competency. Inspite of this, the artist is able to communicate what is happening in the story to the audience. | The art detracts from the story being told. It may be difficult to parse, or the mistakes make it difficult to take seriously. | 
            
                | Visual Effects/Stylistic Flourish | The flourish and style are exceptional or innovative. Certain moments seem to come off the page. | The visual effects and style add to the story and make it stand out amongst other comics. | Effects are used where they should be used, but no effort was made to go the extra mile. | No attempt was made to add visual effects. | Visual Effects are used to the detriment of the image. They may make it harder to understand or they may make it visually unappealing. | 
            
                | Personal Preference | Absolutely loved it. Wouldn't change a thing. | Very positive toward the comic, but you can still think of some improvements. | Generally positive toward the comic, but not your thing. | Disliked it, but can understand its appeal to others. | Absolutely hated it. | 
            
                | Recommendation Strength | Strong recommendation to most people. | Strong recommendation to genre fans. Weak recommendation to more general audiences. | Weak recommendation to genre fans. | Recommend to a very niche audience who wouldn't care about significant issues. | Do not recommend to anyone. |