My only feedback is that romance should probably be an optional part of the rubric or be expanded to include other character relationships. Most OI feature romance, but it isn't a mandatory part of the genre. Otome isekai is really any isekai or isekai-like story targeted towards women and that includes a lot of stuff with limited romance.
There are alot of OI that don't feature romance until late in the story or develop their romance very slowly (you came across this a bit with Stepmother's Märchen) so stories which have gradual romantic development, or are 90% composed of the female lead being a child or minor might unfairly lose points because they haven't gotten to the romance arc yet or choose to focus on other things. Lack of romance doesn't necessarily mean a series lacks quality. And there a many OI which sideline romance but prioritize relationships with side characters (children, friends, family or found family dynamics, relationships with allies and antagonists etc.), Or simply focus on worldbuilding or adventure with no clear romantic lead. So maybe the romance category could be substituted with something like 'Character Relationships' so it can evaluate character relationships more holistically (both romantic and non-romantic). This way series like Stepmother's Märchen which really shine when it comes to family dynamics won't lose out just because romance isn't the primary focus.
That's a good a point. I think maybe we should replace "Romance" with "Characters". This is just off the top of my head, but maybe it could go something like: 5 - All important characters are well developed with satisfying arcs. Relationships between the characters feel natural and fulfilling. 4 - Most important characters are well developed with satisfying arcs. Some characters may have been less developed or some arcs may have been wrapped up unsatisfactorily. 3 - Characters are interesting and somewhat relatable, but feel underdeveloped. Some arcs feel incomplete. 2 - Most or all characters are underdeveloped. Characters often behave in a way that is counter to their established motivations and personality for no discernable reason other than to move the plot along. 1 - Characters feel like pieces being moved around a board by a writer with no attempt at depth or development being made. Characters and their relationships with each other show no growth or change, or the change feels forced.
Great feedback! I think I agree. While everything we've covered so far has romance as a central part of the story, there are some we may cover that don't. Maybe it's just "Relationships" or something like that, and it will be based on all their relationships. Finoa's relationship with Able comes to mind, where I think the romance with Sigren is great but I also love the Father/Daughter dynamic. Actually, now that I think about it, Little Lion Daughter has basically no romance at this point but has some of the best relationships I've read, so it's really important to cover the whole spectrum.
Dense Female Lead Syndrome, or DFLS, is a recently described disorder that is becoming more prevalent in shoujo and josei manhwa. The following brief will give you an overview of the disorder and it's two primary types. [Pictured: One of the most severe cases of DFLS we've ever seen] [Source: My BFF is a Tyrant in Training] DFLS Type I symptoms include a Female Lead being unable to see the signs of infatuation from the Male Lead or even secondary Male Leads. This can range from not picking up on subtle but obvious clues too, in the worst cases, outright rejecting the notion that a Male Lead just confessed their feelings. DFLS Type I usually won't be diagnosed until an appropriate amount of interaction has been reached with the Male Lead, as simply missing hints here and there is generally not serious enough to warrant a diagnosis. DFLS Type II symptoms tend to be broader in definition than just the Female Lead's romantic interests, and will generally include a Female Le
First and foremost, as the title suggests, there will be spoilers for the entirety of the Demon Slayer: Kimetsu no Yaiba series. This is a review about the manga, not the anime adaptation. The manga has been finished for almost 2-years at this point, but I know there are people who may stumble upon this only having watched the anime which is ongoing. If you’re interested in whether or not I liked it without getting into spoilers. The short version of this review is that I’d give it a 3.5 out of 5, but expect the anime to be a 4.5 out of 5. I like the story, but there were some missed opportunities to make me love the story. The author seemed uninterested in several key plot threads which leads to an underwhelming conclusion that lacks the impressive visuals that ufotable has brought to the animation. If you scroll past this image then you enter into spoiler territory. The Shonen Manga Grading Curve The mission of Words About Books is to read a lot and to read widely for the purpose of
Heroine Addiction returns and this time Isekai Sensei-Sama and Bento Baggins are discussing The Fantasie of a Stepmother . Follow on Twitter and subscribe on YouTube so you don't miss new episodes. You can also follow us on Facebook , or reach us by email at IsekaiSenseiSama@gmail.com .
My only feedback is that romance should probably be an optional part of the rubric or be expanded to include other character relationships. Most OI feature romance, but it isn't a mandatory part of the genre. Otome isekai is really any isekai or isekai-like story targeted towards women and that includes a lot of stuff with limited romance.
ReplyDeleteThere are alot of OI that don't feature romance until late in the story or develop their romance very slowly (you came across this a bit with Stepmother's Märchen) so stories which have gradual romantic development, or are 90% composed of the female lead being a child or minor might unfairly lose points because they haven't gotten to the romance arc yet or choose to focus on other things. Lack of romance doesn't necessarily mean a series lacks quality.
And there a many OI which sideline romance but prioritize relationships with side characters (children, friends, family or found family dynamics, relationships with allies and antagonists etc.), Or simply focus on worldbuilding or adventure with no clear romantic lead. So maybe the romance category could be substituted with something like 'Character Relationships' so it can evaluate character relationships more holistically (both romantic and non-romantic). This way series like Stepmother's Märchen which really shine when it comes to family dynamics won't lose out just because romance isn't the primary focus.
That's a good a point. I think maybe we should replace "Romance" with "Characters". This is just off the top of my head, but maybe it could go something like:
Delete5 - All important characters are well developed with satisfying arcs. Relationships between the characters feel natural and fulfilling.
4 - Most important characters are well developed with satisfying arcs. Some characters may have been less developed or some arcs may have been wrapped up unsatisfactorily.
3 - Characters are interesting and somewhat relatable, but feel underdeveloped. Some arcs feel incomplete.
2 - Most or all characters are underdeveloped. Characters often behave in a way that is counter to their established motivations and personality for no discernable reason other than to move the plot along.
1 - Characters feel like pieces being moved around a board by a writer with no attempt at depth or development being made. Characters and their relationships with each other show no growth or change, or the change feels forced.
Great feedback! I think I agree. While everything we've covered so far has romance as a central part of the story, there are some we may cover that don't. Maybe it's just "Relationships" or something like that, and it will be based on all their relationships. Finoa's relationship with Able comes to mind, where I think the romance with Sigren is great but I also love the Father/Daughter dynamic.
ReplyDeleteActually, now that I think about it, Little Lion Daughter has basically no romance at this point but has some of the best relationships I've read, so it's really important to cover the whole spectrum.